101 Bad to the Bone Blues Guitar Rhythm Patterns by Larry McCabe

By Larry McCabe

With a minimal volume of attempt, any starting guitarist can quick examine rudimentary accompaniments to thousands of easy songs. challenge is, the relative ease of buying such simple talents usually lulls one into fake trust that rhythm guitar taking part in is a restricted form of musical entertainment. each one rhythm development during this booklet relies on both the C7 chord or the Cm chord. This layout presents a constant aspect of reference and enables ease in theoretical research and comparability of examples

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I’m close enough to walk over and touch him. I want to say something, but I know anything I say will sound like the ramblings of just another star-struck fan. My admiration for this man and his music goes so much deeper than that. When I introduce myself to Hank Crawford, David Newman, and especially Ray Charles, I don’t want to come off that way. I want it to be as a fellow musician and, more important, a musician they know of. In that moment, I realize that things have to happen this way. I decide right then and there that I will make these men know the name Maceo Parker.

I wasn’t completely serious about becoming a great musician yet. Like most kids my age, I had a wide range of interests, and music—though very important—was just one of many things that occupied my time. It wasn’t until I was nearly in high school that my outlook on music changed entirely. James Banks blew into Kinston like a cool breeze. In 1956, midway through my eighth-grade year, he became the new junior high and high school band director. A tall, broad-shouldered man, impeccably dressed and well-groomed, Mr.

But, by the end of our first song, I noticed people were genuinely smiling and clapping, surprised that a group of kids could play like that. We were actually good. The rest of the set was a blur. Afterward we were promptly escorted back to the safety of the dressing room—but not before we’d had a chance to bask in the glow of the applause we’d earned. That night, for the first time, I felt the sensation of entertaining complete strangers. I knew right away that it wasn’t like playing for your family; something was different about the way those people cheered us on.

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