By Robert Klaßen
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Extra resources for Adobe Premiere Pro CS4: Das Praxisbuch mit zahlreichen Workshops
Your choice of codecs is limited to QuickTime (usually used on Macs) and Video for Windows. Again, select a project setting that matches your source video, with the caveat that the codec should match your project's planned video output device. Here are some points to keep in mind: • If you're working with D1 or other high-end professional analog video, select 720x480. • If you plan to record your edited project back to an analog tape VHS, Hi-8, Beta SP either 720x480 or 640x480 should work fine.
You need to edit in that sound bite over your existing edits and reedit everything after it. Alternatively, you can make a dub of the story after the new edit point and lay that down after adding the sound bite (causing generation quality loss in the process). Makes me shudder to think of the news stories I produced, back in the days of videotape-only editing, that screamed for some minor mid-story fixes. But I knew those fixes would have taken too much time and caused too much reporter/editor grumbling to do.
I recommend only that you uncheck the Capture Limit box. Before you "capture" your first clip, I want to clarify one point. Capture is another of those somewhat misleading terms used throughout the NLE world. On the digital video (DV) side of things, transfer would be a more descriptive term. Because DV already is digital, all Premiere does is tell your camcorder to transfer the selected digital clip data through the IEEE 1394 interface and onto your hard drive. Done. No "capturing" necessary. In the analog world, "transfer, conversion, and compression" would more accurately describe the capture process.